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BIBLIOGRAPHIE - Livres
2017 • Yongwoo Lee et Hans Ulrich Obrist (dirs.), Envision 2116. Shanghai Project chapter 2, Shanghai Project, Shanghai. • Chen Zhen. Before Paris. After China, Gli Ori, Pistoia, 2 vol.
2016 • Adelina von Fürstenberg (dir.), Participation : Art for The World 1995-2016, Mousse Publishing, Milan.
2015 • Miti d’Oriente. Miti d’Occidente. Nuovi modelli per una relazione interculturale fra Italia e Cina, Silvana Editoriale, Cinisello Balsamo. • Galleria Continua Beijing 10 years, Galleria Continua, Beijing. • Castello di Ama, Growing and Guarding, Corraini, Mantoue.
2014 • Silja Rantanen, Out of the Brackets. Genre as Compositional Pattern in Contemporary Art, Academy of Fine Arts, University of the Arts, Helsinki. • End Note(s). Moderation(s) 2012-2014, Witte de With Center for Contemporary Art / Spring Workshop, Rotterdam-Hong Kong. • Catherine Becker, La Marque rouge. Shanghaï, luxury, art & memory, Le Cherche Midi, Paris. • Art Basel, Year 44, JPR / Ringier, Zurich.
2013 • Karen Smith, As Seen 2, Post Wave Publishing Consulting, Beijing. • Anna Moszynska, Sculpture now, Thames & Hudson, Londres. • Letizia Montalbano et Mattia Patti (dirs.), Il futuro del contemporaneo, Edifir – Edizioni Firenze, Florence.
2012 • Matthew Gale (dir.), Tate Modern : The Handbook, Tate Publishing, London. • Alberto Giorgio Cassani (dir.), Annuario Accademia di Belle Arti di Venezia 2011, Il Poligrafo, Padoue.
2011 • Michael Petry, The Art of Not Making. The New Artist / Artisan Relationship, Thames & Hudson, Londres. • Artistes chinois à Paris, Paris Musées / Musée Cernuschi, Paris.
2010 • Art contemporain Pékin en 11 parcours, Images en manœuvres éditions, Marseille. • Extrêmuseum Guimet, Musée Guimet, Artlys, Versailles.
2009 • Sally O’Reilly, World of Art : The Body in Contemporary Art, Thames & Hudson World of Art, Londres. • Hans Ulrich Obrist, The China Interviews, Office for Discourse Engineering, Hong Kong-Beijing. • Nada Beroš(dir.), Highlights. Collection in motion, Museum of Contemporary Art, Zagreb. • Paola Bersi et Carlo Ricci, Guardare Capire Fare, vol. A PLUS, Zanichelli, Bologne.
2008 • Richard Vine, New China, New Art, Prestel Verlag, Munich. • Eleanor Heartney (dir.), Art & Today, Phaidon Press Limited, Londres. • Melissa Chiu, Chinese Contemporary Art. 7 Things You Should Know, AW Asia, New York. • Pier Giovanni Castagnoli et Elena Volpato (dirs.), Dieci anni di acquisizioni per la GAM di Torino 1998-2008, Umberto Allemandi & C., Turin. • Thomas Krens et Alexandra Munroe (dirs.), Cai Guo-Qiang, I Want to Believe, The Solomon R. Guggenheim Foundation, New York. • Francesco Bernardelli (dir.), Arte Contemporanea. Cinque. Anni Novanta, Gruppo editoriale L’espresso / Mondadori Electa, Milan.
2007 • Philip Tinari et Mario Ciampi, Artisti in Cina, Verba Volant, Londres. • Uta Grosenick et Caspar H. Schübbe (dirs.), China Art Book, DuMont Buchverlag, Cologne. • Sophie Duplaix, Collection art contemporain, la collection du Centre Pompidou, Musée national d’art moderne, Éditions du Centre Pompidou, Paris. • Cina intra / extra ovest. Transexpériences, Post Media Books, Milan. • Chen Zhen. 1991-2000 Unrealized, Kunsthalle Wien, Vienne. • CCA Project 05.1997-03.2007, Center for Contemporary Art Kitakyushu, Kitakyushu. • Christian Beguinet (réalisateur), Chen Zhen. Digestion perpétuelle / An everlasting digestion, Scéréen CRDP La Réunion (vidéo).
2006 • Xu Min (dir.), Overseas Chinese Artists Interviews Series – Chen Zhen, Jilin Fine Arts Press, Changchun. • Mariella Sgaravatti Poli (dir.), Contemporaneità in Toscana, Centro Di, Florence • Dalu Jones, Filippo Salviati et Mariagrazia Costantino, Arte Contemporanea Cinese, Electa, Milan. • Gerard Drosterij, Toine Ooms et Ken Vos (dirs.), Intruders : Reflections on art and the ethnological museum, Waanders Uitgevers, Zwolle. • Melissa Chiu (dir.), Breakout. Chinese Art outside China, Charta, Milan. • Yves Aupetitallot, “Magasin 1986-2006”, JRP-Ringier / Le Magasin – CNAC, Zurich-Grenoble.
2005 • Caroline Turner (dir.), Art and Social Change : Contemporary Art in Asia and the Pacific, Pandanus Books, Canberra. • Beyond Boundaries. Shanghai Gallery of Art ’04-’05, Shanghai Gallery of Art, Shanghai.
2004 • Gilane Tawadros, Changing States. Contemporary Art and Ideas in an Era of Globalisation, Institute of Internacional Visual Arts, Londres. • I Grandi Musei del Mondo : Museo Nazionale d’Arte Moderna, Parigi, Scala Group / Gruppo Editoriale L’Espresso, Florence-Rome. • Collection Art Contemporain, Les 20 ans du CIAC, Centre international d’art contemporain, Montréal.
2003 • Jérôme Sans (dir.), Chen Zhen. Les entretiens, Les presses du réel / Palais de Tokyo, coll.«Documents sur l’art», Dijon. • David Rosenberg et Xu Min (dirs.), Chen Zhen. Invocation of Washing Fire, Gli Ori, Prato-Sienne. • David Rosenberg, Art Game Book. Histoire des arts du XXe siecle, Assouline, Paris. • Fundament, Kunst en Openbare Ruimte 1993-2003, Fundament en de Kunstenaars, Tilburg. • Jean-Marc Decrop et Christine Buci- Glucksmann, Modernités chinoises, Skira, Milan.
2002 • Antonio Zaya (dir.), ART for The World, ART for The World, Genève. • Akiko Miyake (dir.), Let’s talk about art #0002, CCA Kitakyushu, Kitakyushu. • Hou Hanru, On the Mid-Ground. Selected texts edited by Yu Hsiao-Hwei, Timezone 8 Limited, Hong Kong. • Frac Alsace, Volume 7, Édition Frac Alsace. • CCA Project 05.1997-03.2002, Center for Contemporary Art Kitakyushu, Kitakyushu.
2001 • VisioniVisions. Galleria Valentina Moncada. I primi dieci anni, Charta, Milan • Kirishima Open-Air Museum, Catalogue of collections, Kagoshima Prefecture, Kagoshima. • Art contemporain : un choix de 200 œuvres du Fonds National d’Art Contemporain (1985-1999), Éditions du Chêne, Paris.
2000 • Chen Zhen et Miguel Angel Mendo, That I Might Be Born, Hopefulmonster, Turin.
1999 • Francesco Bonami et Hans Ulrich Obrist (dirs.), Dreams, Fondazione Sandretto Re Rebaudengo per l’Arte, Castelvecchi, Rome.
1998 • Alice Yang, Why Asia, Contemporary Asian and Asian American Art, New York University Press, New York. • Yona Fischer, Chronologie, artistes français en Israël, 1988-1998, AFAA, Paris. • Jean Bernier Gallery 1977-1998, Jean Bernier – Maria Eliades Gallery / Agra Publications, Athènes.
1997 • Chen Zhen. Les Pas silencieux / Silent Paces. 5 projets aux États-Unis 1994-1997, Aline Pujo Éditeur, AFAA, Paris.
1991 • Brigitte Hedel-Samson, 1990 Arts Plastiques, acquisitions, Fonds national d’art contemporain, Paris. • Fonds Regional d’Art Contemporain, Alsace, 1989/1990, Édition Frac Alsace. |